Monday, January 24, 2011

Michigan Pond Hockey Classic


This was a pretty unique hockey tournament if I say so myself.  The Michigan Pond Hockey Classic was a bracketed tournament of continuous matches on fifteen or so "rinks".  I put rinks in quotation marks because they shoveled large amounts of snow off the ice (on Whitmore Lake) to create the rinks - the snow piles became the boundaries of the rinks.  I was there to photograph one game during the tournament (January 15th) and it was a really nice experience to shoot a hockey game that was outside and not be behind glass - sure the occasional thought of a puck flying into my lens crossed my mind, but it's more important to get the shot!  To view more if the photos, click here.

The biggest challenge when shooting hockey is to compose a great shot that encompasses the stick and the player at the same time - especially if there are multiple players in the same shot.  The obvious thing would be to pull back and get a wider shot, but the action doesn't happen far away - you need to be close to feel more of the action.

The other issue is focus and depth of field - since the focal points are always moving in multiple directions, make sure your camera is on continuous focus.  I prefer to manually select my focal point, so I set my camera to focus on a single point.  I choose to do this because as the players move around the rink, I can choose to isolate one player or moment and stay with that, rather than having the camera try and choose the focal point it thinks is my main subject.  The issue with selecting that point manually is the time it takes to "tap, tap, tap" to your new focus point - I missed some great shots while tapping for sure.  But that's the name of the game in sports photography, you just have to do what works best for you and keep shooting to try and be the most prepared you can be when the moment happens.  

Depth of field also poses a challenge in situations like this - with so much background distraction you really want to isolate the players and blur the background.  When you have a razor-thin depth of field (because of shooting at f/3.5 zoomed in to 300mm), a player being three feet away from another player will appear out of focus - but what if both players need to be in focus at that moment to really capture the moment properly?  Unless you have lightning-quick fingers, you're probably going to miss the shot, which is exactly what I did.  I captured a great moment of one player diving to block the shot of another player - but blew the shot because the aperture was too large (one player in focus, the other was out of focus).  Like I said, these things happen though when you're trying to do so much at a fast pace.  My advice is still to go with an idea and shoot it wholeheartedly - you might miss some, but you can't capture every moment perfectly when the elements are changing so rapidly.

Speaking of rapid changes, the sun was ducking in and out of the clouds (but mostly hidden in the clouds).  Of course, when the sun is behind some thick cloud cover, you're inevitably going to lose some (or most) of the contrast in your colors.  To counter some of the washed out colors, I converted a fair amount of the photos to black and white or sepia and upped the contrast substantially to make up for the lack of color.  I just take a gray day as an opportunity to play around with post processing a bit more because the only way you're going to get any contrast (and color) back is to use a flash and I didn't have the opportunity to use it in this situation.

Until next time...

T.J. Wolsos / Head Photographer
www.darkroomvisuas.com

Tuesday, December 28, 2010

Darkroom Visuals on iTunes (and more)



A shoot that I did for Robert R. Jones this last summer has made it's way onto iTunes, CD Baby, and a few other sites out there too. For anyone that likes classical guitar, I highly recommend it (though this is not solely classical guitar - it has song stylings of many other genres).

Not only was I excited that Bob chose me to help him with his shoot, but I was even more excited when he asked if I could assist with the CD layout as well. As an artist, sometimes you really want to keep control over a project because you have a vision and want to see it through. That was certainly the case in this example - while we were shooting, I was seeing visions of the layout in my mind (I wanted to keep it simple and elegant while somewhat bucking the trend of a standard classical guitar CD - trying to keep the end result listener in mind). Here's a small-sized sample of the CD booklet and the back of the CD tray-card as well.





This was somewhat of a perfect client - Bob was very trusting that I would complete the vision we had discussed and when the project was complete, he was extremely pleased with the output - in fact, he said there wouldn't be even one element that he would change.


Robert Jones is a classical guitarist in the Detroit/Ann Arbor area and besides his recent release of Vignettes, he is also an accomplished wedding and event guitarist. You can reach him here to book him for your wedding or event. Feel free to preview or purchase the music on his site or at the links above - if someone would prefer to order a hard copy of the CD, let me know.


Since music is my number one passion, besides photography, I'd love to help any other artists or musicians to create a unique set of photos for their future release, website or promo needs as well. Contact me any time!


T.J. Wolsos / Head Photographer
www.darkroomvisuals.com

Monday, November 15, 2010

Though Not My Work, It's Definitely Worthy...


Though not my work, this is definitely worthy of being seen and shared. This amazing paint-job, model and photograph is by James Birkbeck. That's all, just wanted to pass it on because I was absolutely wowed!  Enjoy the Van Gogh!

T.J. Wolsos / Head Photographer

Thursday, November 04, 2010

Taking A Moment To Celebrate A Great Moment

I just wanted to take a minute and celebrate a great thing that happened with Darkroom Visuals today.



After taking some photos at The Gracious Few (www.thegraciousfew.com) concert on 10/29 at The Machine Shop in Flint, I posted some of the photos to the website (http://www.darkroomvisuals.com/10292010-thegraciousfew) and sent a message off to a member of the band. To my surprise, when I logged into Facebook later that day, I saw that Sean Hennesy, the guitar player for the band had one of my photos as his profile photo! Any time someone posts my work, I take that as a massive compliment - as many photos are out there, it's always an amazing thing to see your work in use.

Most of the shots were taken at, or around, ISO 2000, 250th to 500th of a second exposure and between f/2.8 and f/4. That ISO level was really pushing the camera (Nikon D300) to it's limits of usable work - too bad I don't have a D700 or D3x and then I could shoot up to ISO 6400 without even blinking an eye.

As an education, since a few people have insinuated that I should be profiting from this, here's some legal background. Since I didn't have a release from the band prior to the concert, he has every right to use the photo for personal use - only if he/the band were to use the photo for print, commercial or advertising usage would I be entitled to even hint at profiting from this. In the mean time, I'll take it as a flattering move and say thanks for the free advertisement!

As a side note, I also took shots of the opening band as well, American Bang - those photos can be viewed here - http://www.darkroomvisuals.com/10292010americanbang

Today, I say congrats to Darkroom Visuals

T.J. Wolsos / Head Photographer
www.darkroomvisuals.com

Tuesday, October 19, 2010

Rachel's Networking Shoot


Rachel is a savvy businesswoman who is starting a networking site for people that she teaches and for those who are already involved in the Graphical Information System arena. She was looking for some shots to use for the website as well as for personal business use and was looking to convey an approachable, smart, sharp and fun woman - I think we hit the nail right on the head with this shoot (well at least that's what Rachel though) - check out the whole set here - http://www.darkroomvisuals.com/10172010-rachel

The challenge on this shoot was that the sun was rather intense and there weren't a lot of areas of direct shade to position her in. I opted to try and use objects when I could to help block the sun and also waited for those few key seconds when the sun would peek behind the clouds to get a more evenly balanced photo.

Rachel's site is still under development, once her site is complete, I'll be sure to update her web address here.

T.J. Wolsos / Head Photographer

Monday, October 11, 2010

Mallory & Peter Engagement Session


Took a little trek down to Louisville Kentucky this last weekend to take some fun engagement session photos for Mallory & Peter.  We traveled to a few of their favorite places and even captured a few shots of the Louisville skyline from Indiana. Catch a few of the favorites here - http://www.darkroomvisuals.com/malloryandpeterengagement

There were quite a few challenges on this shoot - most notably was the heat (90 degree) and blazing high-noon sun.  All of the photos were taken in the complete shade and lit with a single SB-800 flash, set off-camera on a Manfrotto 1005BAC light stand, shooting through a 45" Westcott convertible umbrella. In some of the shots (where I could), I would have the sun backlight their heads to simulate a hair light without having to worry about having another flash. I was able to use the bright sun to backlight their hair without concern because they both have darker colored hair - I learned the hard way that someone with very light blond hair doesn't look the greatest when backlit from the sun because it just absolutely blows out the highlights on top of their head.  Check out the full set and let me know what you think.

T.J. Wolsos / Head Photographer

Wednesday, September 08, 2010

HDR Photos on your iPhone with iOS 4.1 - Released 09.08.2010

It's almost as if Apple knew I was going to post my previous blog entry on HDR photography today as well because Apple released iOS version 4.1 today which, among other updates, added automatic HDR photography to the iPhone 4. Lets take a look at some examples and see how it looks.



You can clearly see that in the first two sets of photos, it definitely evened out the exposure so you can see inside and outside more clearly. The thing to notice among all of the photos is that there is a pretty noticeable loss of contrast (especially crisp whites) - but is it a good trade off for a much better exposure? In my opinion, yes, because the iPhone 4 camera (really any pocket camera) has a really hard time with exposure in most everyday lighting situations.

For the photos of the fireplace, the exposure is a lot better balanced - in the original photo, the right-hand side of the photo is almost completely washed out - now it looks pretty dang balanced.

There are scenarios where you really don't want to use the HDR setting though - the picture of the lamp and cup of apple cider is a good example of this. The highlights and contrast in the original photo are much better than in the HDR version.

I ended up testing many more scenarios and the bottom line is that this is a great addition to the iPhone 4 camera. Even better, since the iPhone allows you to save both the original and the HDR version of the photos you take, you've just doubled the odds of getting a better photo right off the bat.

Let me know if you have any questions or want to share your iPhone HDR photos.

T.J. Wolsos / Head Photographer
www.darkroomvisuals.com